Whitechapel Gallery Building Expansion, East London Arts Photos, Townsend Design Project News

Whitechapel Gallery Expansion London

E1 Arts Venue Architecture, England, UK renewal design by Robbrecht en Daem architects

17 Sep 2011

Location: East End of London, England, UK
Dates built: 1897-1901
Design: C. Harrison Townsend

Address: 77-82 Whitechapel High Street, London E1 7QX

Contact Whitechapel Art Gallery: 020 7522 7888

Whitechapel Gallery Building Expansion, east London
Dates built: 2007-09
Design: Robbrecht en Daem with Witherford Watson Mann

Whitechapel Gallery – exterior photographs © Adrian Welch, taken on 17 Sep 2011:

Whitechapel Gallery Building London

facade:
Whitechapel Gallery building East London

tower:
Whitechapel Gallery Building facade tower

26 Mar 2009

Whitechapel Art Gallery

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Photos by Richard Bryant/arcaid.co.uk

Whitechapel Gallery unveils major expansion and announces opening programme

The Whitechapel Gallery unveiled its ambitious expansion following a £13.5 million capital campaign on 18 November 2008, due to open to the public in April 2009. The Heritage Lottery Fund supported project has transformed the former library building next to the Gallery, increasing gallery space by 78%. Designed by leading Belgian architects Robbrecht en Daem (with London practice Witherford Watson Mann Architects), the expanded Whitechapel Gallery provides one of the most exciting new cultural buildings in Europe.

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Included in the expanded building are new galleries dedicated to presenting collections and new commissions; a permanent gallery and research room for the Whitechapel Gallery’s historic archive, and an Education and Research Tower including study and creative studios. These beautiful spaces for art have been designed by the architects in collaboration with leading artist Rachel Whiteread CBE.

The original exhibition spaces in the Whitechapel Gallery have been beautifully renovated and will be the site for a landmark exhibition of German sculptor Isa Genzken, the first major retrospective of her work, until 21 June 2009.

The Bloomberg Commission gives a new platform for an annual art commission. It launches with a site specific artwork by Goshka Macuga, who has been inspired by Picasso’s Guernica coming to the Whitechapel Gallery in 1939 on its first and only visit to the UK.

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The Whitechapel Gallery will provide unprecedented public access to important art collections. The inaugural display of rarely seen works from the British Council collection is supported by Hiscox.

The Whitechapel Gallery’s 100 year old archive is brought to life with displays of rare documents and artists’ letters. The first exhibition, The Whitechapel Boys, looks at the moment when artists David Bomberg, Mark Gertler and Isaac Rosenberg contributed to forming the Vorticist movement in the former Whitechapel Library. Two new project galleries show the work of Mexican artist Minerva Cuevas and the primary schools education project Archive Adventures.

Iwona Blazwick OBE, Director, Whitechapel Gallery, said ‘This century old institution is the artists’ gallery for everyone. The exciting expansion enables the Whitechapel Gallery to open all year round so there will always be something free to see. The Gallery will become a major cultural resource and a destination for the arts.’

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Exhibition highlights for 2009/10 include: painter Elizabeth Peyton (summer 2009); the return of the East End Academy (summer 2009); Sophie Calle (autumn 2009); a major exhibition looking at photography from south Asia from the 1840s to the present day (winter 2010); changing displays from the British Council collection and from the Gallery’s archives; and project gallery exhibitions by Julie Ault and Melanie Manchot.

The development of the Whitechapel Gallery is much needed: previously the Gallery had to close for up to 10 weeks each year to allow for exhibition installations. The Gallery’s former Education Studio could not accommodate full class sizes and the overwhelming number of schools wishing to use its facilities. Previously there was limited access for disabled people to the Gallery and there was no wheelchair access to the former library.

The development unifies two landmark buildings; the Whitehapel Gallery and the adjoining Passmore Edwards Library. The project has enabled the restoration and preservation of an historically and culturally important building, keeping it open to the public. It also makes an important contribution to the regeneration of east London.

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The Gallery has already raised £13 million towards its £13.5 million capital campaign target. This includes Heritage Lottery Fund grants totalling £3,722,200; London Borough of Tower Hamlets grant of £1,300,000; Arts Council England grant of £1,050,000; European Regional Development grant of £500,000; London Development Agency grant of £350,000; £2,749,485 raised from charitable trusts and individual donors; and £2.5million from an auction of artworks donated by artists in 2006.

The capital monies raised to date come from a wide range of public and private sources, represented by 57% public funding, 15% from commercial galleries, 14% from charitable trusts, 12% from individual donors and the remainder from the Whitechapel’s own funds.

The Whitechapel Gallery was founded in 1901 to bring great art to the people of east London. The Gallery’s history is a history of firsts: in 1939 Picasso’s masterpiece, Guernica was displayed at the Whitechapel Gallery on its first and only visit to Britain; in 1958 the Gallery presented the first major show in Britain of seminal American abstract expressionist Jackson Pollock; and in 1970 and 1971 the first shows of David Hockney, Gilbert & George and Richard Long were staged to great acclaim.

Recent shows have included Janet Cardiff & George Bures Miller, Liam Gillick, Nan Goldin, Cristina Iglesias, Paul McCarthy, Mark Wallinger and Franz West. The Gallery is internationally renowned for its exhibitions of modern and contemporary art and its pioneering education and public events programmes.

The Whitechapel plays a unique role in the capital’s cultural landscape and is pivotal to the continued growth of east London as a leading contemporary art quarter.

Robbrecht en Daem

Witherford Watson Mann Architects

Location: 77-82 Whitechapel High Street, London, E1 7QX

London, England, UK

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Robbrecht en Daem

Selected by competitive interview from a distinguished shortlist of architects gathered through an OJEU process, the Ghent-based practice, Robbrecht en Daem Architecten, lead the design team, working with artistic advisor Rachel Whiteread.
They are specialists in the relationship between art and architecture and have collaborated with a host of artists including Cristina Iglesias, Isa Genzken, Craigie Horsfield, Juan Muñoz, Gerhard Richter and the designer Ann Demeulemeester.

Witherford Watson Mann Architects

Witherford Watson Mann Architects are a young London practice working on
public buildings, housing and urban design projects, with much of their work in east London. Their first major project, the new offices and Human Rights Action Centre for Amnesty International UK in Shoreditch (designed in collaboration with Gregori Chiarotti Architects) was completed in March 2005. They were shortlisted for Building Design’s 2005 ‘Young Architect of the Year Award’.

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